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The Venus of Arles is a 1.94m high sculpture of Venus at the Musée du Louvre. It is in Hymettus marble and dates to the end of the first century BC.

It may be a copy of the Aphrodite of Thespiae by Praxiteles, ordered by the courtesan Phryne. In the second century AD, Pausanias mentioned the existence at Thespiae in Boeotia (central Greece) of a group made up of Cupid, Phryne and Aphrodite. The Praxitelean style may be detected in the head's resemblance to that of the Cnidian Aphrodite, a work of Praxiteles known through copies. In a tentative attempt to reconstruct his career, the original Aphrodite of Thespiae would be a work from his youth (in the 360s BC), if we choose to believe that this partially-draped female (frequently repeated in the Hellenistic era - the Venus de Milo, for example - is a prelude to the fully-naked nude that was his c. 350 BC Cnidian Aphrodite.

The Venus of Arles was discovered in several pieces at the Roman theatre at Arles. The sculptural program at Arles was executed in Italy, perhaps by Greek artisans. Venus was the divine ancestor of the gens Julia; Arles, which had backed Caesar when Massilia backed Pompey was rewarded in numerous ways. A semi-nude heroic statue of Augustus was the dominating figure in the sculptural program of the Arles theatre.

The Venus was found in 1651, by workmen who were digging a well. The head appeared first, at a depth of six feet, which spurred further excavations. Later, after it had been given in 1681 to Louis XIV to decorate the Galerie des Glaces of Versailles, further excavations were made in the area of the theatre's scenae frons, but no further fragments were found. The statue was seized from the royal collection at the Revolution and has been at the Musée du Louvre ever since its inception, though it is not currently on display.